Like an exquisite painting itself, Portrait of a Lady on Fire will have you enraptured with its serene beauty, delicate detail, and careful storyline.
Tag: Foreign Films
A rumination on youth, success, relationships, paralysis and fading, Pain and Glory offers a poignant insight into the life of an acclaimed, aging director. Pedro Almodóvar directs Antonio Banderas in a self-modelled role to explore with great subtlety the reflectiveness evoked when an individual’s physical impasse is reached.
The unlikeliest of boy bands, ten Cornish fishermen will have you tapping along to sea shanties in the buttery feel-good flick Fisherman’s Friends.
Antonio Banderas stars in Pain and Glory, a film which earned him a best actor award at 2019’s Cannes Film Festival.
For a movie based on “an actual lie”, Lulu Wang’s family drama The Farewell ruminates long and hard on the stark truths of loss, grief, family and well-intentioned deception.
When Stephen King, Guillermo del Toro and Neil Gaiman heap praise on a film, it automatically becomes a must-watch, and such is the case with Tigers Are Not Afraid.
The full MIFF program for 2019 has dropped, with the big news that Quentin Tarantino’s latest, Once Upon a Time in Hollywood will be premiering at the long-running festival.
Visually arresting and equally enthralling, Scandinavian cinema is continuing to cement itself as a major player on the global circuit. Hlynur Palmason’s A White, White Day is an impressive addition to the growing Scandi film canon and has already garnered significant praise.
The Realm opens inconspicuously – a man in a suit finishes a phone call while staring out to sea. The camera tracks him as he crosses the sand, walks up the grass to a restaurant, through the back door into the kitchen where he lifts a platter of shrimp and strides into the dining room of the restaurant.
Rising star Awkwafina features in the trailer for the heartfelt new dramedy film The Farewell from director Lulu Wang.
‘Ola De Crimenes’ (Crime Wave) throws you straight into the rollicking, over-the-top absurdity of Spanish comedy.
Everybody Knows further proves why Iranian director Asghar Farhadi is the master of family-centred, tension-filled dramas, even if it’s his most Hollywood-ized work yet.
Single location films aren’t easy to pull off and on the rare occasion when done right (like in 2010’s Buried) they can be quite engaging and fast-paced. The Danish-set The Guilty, without a doubt, falls into the engaging category, but not only does it keep our adrenaline pumping, it unfolds layer upon layer with a situation you don’t see coming and will leave you assessing what our protagonist (and the audience) has had to deal with after the final credits roll.
Capharnaüm opens with our protagonist Zain (Zain Al Rafeea), impossibly tiny in his handcuffs, suing his parents for giving him life.