Spider is a hot-blooded, politically charged Chilean film set during and after the fascist rising against Allende, the first-ever democratically elected socialist president.
French horror movie director Alexandre Aja’s latest sci-fi thriller, Oxygen, will have you feeling all sorts of claustrophobic.
Meandering along a very well-worn path, Embryo constantly blends genres, tone and purpose, and at times its incoherent nature makes for a lack of an emotional connection.
Arthouse horror is a subgenre that is difficult to master. It serves tough topics through rawness and bloody spheres. Lee Haven Jones’ debut feature, The Feast, is a decent entry into the sub-genre that mixes oddness with the vicious slits of gore while tackling class and identity.
There are many films that deal with unwanted pregnancies and the different ways of handling them, but none as inventive as Ninjababy.
After working as an assistant director for Yorgos Lanthimos and Richard Linklater, Christos Nikou gives us his directorial debut film, Apples.
Quo vadis, Aida? is based on a harrowing true story about the atrocities of war in mid-90s Bosnia.
Director Quentin Reynaud’s Final Set is an off-beat sports tale centred around an ageing tennis protege who dreams of becoming something more while tackling some taxing personal problems.
Isabelle Huppert stars as a no-nonsense Franco-Algerian Police Interpreter turned audaciously revered drug kingpin in Jean-Paul Salomé’s The Godmother.
Minari is a wonderfully shot, exceptionally profound drama film that focuses on the intersection between family and living one’s dream.
Directed by Thomas Vinterberg and starring crowd favourite Mads Mikkelsen, Another Round (or Druk as it’s titled in Danish, which loosely translates to ‘binge drinking’) is a film that dives into the ups, downs, and all-arounds of alcohol.
Recently, directors everywhere have tried to make the first successful pandemic-era film, and none have succeeded. They try, and make them unrealistic, dull, and sort of a humdrum. It was not until Iuli Gerbase’s debut feature The Pink Cloud arrived to accurately portray the world we live in today.
The Food Club is a feel-good comedy-drama movie that is all about self-discovery, love, friendships, and second chances amongst three women in their 60s, set in an idyllic Italian backdrop.
A minute character study of fragility, warped masculinity, and a longing for connection drives Savage, the debut film by writer/director Sam Kelly.
The award-winning Studio Ghibli ventures into the world of 3D animation for the first time with their latest, Earwig and the Witch.
Les Misérables is set in Paris, June 2014. France wins the World Cup, beating Croatia. Bars screening the live match are packed, and after the victory, crowds fill the streets. Tricolour flags, fireworks, chantings of La Marseillaise, the national anthem, in unison.
Mon Dieu, how I love a French film! The humor, the wine, the quick-witted candor – it all comes together in the new release feature film La Belle Époque.
Cinema in its purest form can be seen as the provocative marriage of sound and image, and as such, Alejandro Landes’ Monos is nothing if not cinematic. While gentle on plot, the film is entirely immersive in its atmosphere, drenched in mud, madness, and brutality.
An aggressive parasite attacks in the underwater sci-fi thriller Sea Fever starring Connie Nielsen and Dougray Scott.
The astonishingly gorgeous documentary film, Honeyland, explores the life of Europe’s last beekeeper, and her struggle to face mankind’s flawed condition against nature.
