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Tag: Drama Films

‘The Man Who Killed Don Quixote’ Marks the End of a Decades-Long Journey for Terry Gilliam

This film is not one to watch while scrolling through your phone – you’ll need to have your eyes glued to the screen if you’re to make any sense of the glorious mess that is Terry Gilliam’s latest feature film.

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Teen Romance Film ‘Five Feet Apart’ is Sickly Sweet – Review

I grew up in the golden era of sick-lit films. Ansel Elgort with his constant un-smoked cigarette as a metaphor in The Fault in Our Stars (2014)? The conceived-as-a-bone-marrow-donor-for-her-terminally-ill-sister Anna and the subsequent tragic outcome in My Sister’s Keeper (2009)? Give me, give me, give me.

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‘Sometimes Always Never’ Review – Mostly Incredibly Sweet

Suppose you had the option in a game of Scrabble to play the word SACCHARINE or ANARCHIC. Saccharine, meaning excessively sweet and sentimental, and anarchic, much to do with lacking control over circumstances, are both worth more than 15 points but also summarise the range of emotions experienced by Bill Nighy and company in the 2019 British drama-comedy, Sometimes Always Never.

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‘King of Thieves’ Review – A Comedic Caper Film Starring Michael Caine

Any film which opens with ‘Based on a true story’ incites a desire to know just how true to life the plot is. Director James Marsh attempts to keep King of Thieves as verbatim as possible and you can be assured that there is little glamorizing of this story. The crooks in this film, led by Michael Caine, are surprisingly vicious and callous with a good deal of incontinence thrown in.

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‘The Guilty’ is a Tight, Solo-Performance Thriller – Review

Single location films aren’t easy to pull off and on the rare occasion when done right (like in 2010’s Buried) they can be quite engaging and fast-paced. The Danish-set The Guilty, without a doubt, falls into the engaging category, but not only does it keep our adrenaline pumping, it unfolds layer upon layer with a situation you don’t see coming and will leave you assessing what our protagonist (and the audience) has had to deal with after the final credits roll.

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‘Vox Lux’ Review – Natalie Portman Features in Provocative Pop Opera

It would be remiss of this reviewer to discuss the psychological drama Vox Lux without commenting on the abhorrent manner which pop-star Celeste is endowed by fame; a by-product of a culture obsessed with celebrity in a system that benefits from the exploitation of trauma.

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