American Fiction is a nuanced exploration of creativity and cultural identity, effectively bridging humour with thematically serious undertones.
Cobweb is an ambitious cinematic endeavour that intertwines the complexity of filmmaking with noir-esque elements, creating a tangled, charming, and intricate narrative.
Lyle, Lyle, Crocodile features some excellent music from popular singer Shawn Mendes, though everything else in this film is pretty unoriginal.
Filmmaker Peter Strickland has developed a shorthand for horror and tension in his cinematic oeuvre with a fetishistic soundscape of food, objects and even the idiosyncrasies of characters. His latest film, Flux Gourmet, sardonically offers a dual perspective on food as pleasure and pain.
The Nic Cage renaissance continues with The Unbearable Weight of Massive Talent, the eccentric actor’s most meta project to date.
As ever-changing Australian Iconography is scattered across every wall, Friends and Strangers poses the question, what if it begins to stare back?
In a film where right and wrong are so carefully defined, Fresh finds itself torn between genres.
Marry Me is cliché-packed but entirely endearing, making for a mostly enjoyable musical rom-com.
In the Greek myths, Cassandra, the daughter of King Priam of Troy, was afflicted by the gods with the curse that she would have accurate knowledge of future events but that nobody would ever believe what she said. Scientists in movies are the modern Cassandras.
It’s interesting to see that after a questionable sequel, the Kingsman movie creators believed the natural solution to be an even more questionable prequel with The King’s Man.
The Ghostbusters are finally back in Ghostbusters: Afterlife, a nostalgia trip with very few original or intriguing ideas.
Licorice Pizza is a charming yet unforgivingly problematic addition to director Paul Thomas Anderson’s directorial lineup in what can only be described as a teenage boy’s wet dream.