Alongside Homer Simpson and SpongeBob SquarePants, electric fluff-ball Pikachu joins the ranks of beloved ‘90s yellow cartoon characters to receive the live action treatment with Pokémon Detective Pikachu.
Look, I get it. In today’s political climate, you head to the cinema to escape from the saturation of mainstream media and spend a few hours completely oblivious to the dire state of the world. The last thing you want to buy tickets to is another Hollywood US presidency film. But trust me, Long Shot is different.
Avengers: Endgame brings the eleven-year-long story arc of the MCU to a close on a grand scale that’s sure to please anyone that’s been following along.
If films had a signature scent, The Chaperone’s would be mothballs.
Thunder Road started out as a 12-minute Sundance Festival short and has morphed into an hour-and-a-half character study of this square-jawed policeman singing, dancing and weeping his way through his mother’s eulogy.
The manner in which The Curse of the Weeping Woman divulges into cheap horror tropes is a greater curse on the overall film than the problematic curse in its storyline.
‘Ola De Crimenes’ (Crime Wave) throws you straight into the rollicking, over-the-top absurdity of Spanish comedy.
Little is a film with a big heart. Young girls are going to love this fun, energetic and well-produced comedy and the adults accompanying them to the cinema will definitely get a kick out of it as well.
This film is not one to watch while scrolling through your phone – you’ll need to have your eyes glued to the screen if you’re to make any sense of the glorious mess that is Terry Gilliam’s latest feature film.
The Aftermath has the premise and star-studded cast to be a deep and insightful drama, however, it lacks a sense of authenticity to fully command the interest of audiences.
Ever since Twilight (2008) made it desirable for teenagers to be in complicated relationships, the teen-films that have followed continue to up the dramatic relationship ante.
Shazam! has an exclamation mark in its title for a reason – it’s fun, full of energy and a barrel of laughs.
The attention of cat lovers has been captured twice this month in films that draw-out the docile and wild nature of the beast.
Before the start of horror-genre film Us, a studio opening credit containing a hypnotic teacup animation that references Jordan Peele’s debut film Get Out (2017) is seen. This referral to previous work recognises Peele’s ability to deliver on iconography and is a testament to the driving power of Peele’s brand, which despite having only directed one film in his career has already garnered him accolades and recognition as an auteur horror director.