Madame Web, the latest addition to the expanding Spider-Man universe, emerges as a curious artifact reminiscent of the early 2000s era of comic book adaptations (and not the good ones).
Aquaman and the Lost Kingdom plunges audiences into the mesmerising depths of the ocean, offering a visually stunning spectacle directed by the master of horror, James Wan.
Thor: Love and Thunder is as fun as any Marvel movie can be, at the cost of developing a genuine emotional connection.
Doctor Strange in the Multiverse of Madness is an absolutely manic yet digestible couple of hours of cinema if you can turn your brain off.
Robert Eggers’ The Northman might lack heart, but it’s undoubtedly hard to look away from, with unbridled energy and machismo not seen since the action-movie glory days of the 80s and 90s.
Ambulance sees the return of the true summer popcorn movie with an easy-to-follow story, outrageous chase scenes and explosions, and even a little bit of melodrama.
Matt Reeves’ The Batman features one of the darkest and most grounded portrayals of the popular superhero yet.
The beloved Sony video game franchise Uncharted finally gets its long-awaited adaptation for the big screen.
Roland Emmerich dips his toe back into the doomsday movie genre once again with Moonfall. This time the biggest disaster is the movie itself.
It’s interesting to see that after a questionable sequel, the Kingsman movie creators believed the natural solution to be an even more questionable prequel with The King’s Man.
The Ghostbusters are finally back in Ghostbusters: Afterlife, a nostalgia trip with very few original or intriguing ideas.
The Matrix Resurrections expands on its original concepts but watching the film becomes a chore with the sheer amount of information there is to absorb.