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Jordan Peele Delivers on Suspense in Horror Fable ‘Us’ – Review

Before the start of horror-genre film Us, a studio opening credit containing a hypnotic teacup animation that references Jordan Peele’s debut film Get Out (2017) is seen. This referral to previous work recognises Peele’s ability to deliver on iconography and is a testament to the driving power of Peele’s brand, which despite having only directed one film in his career has already garnered him accolades and recognition as an auteur horror director.

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Tim Burton’s Disney Remake ‘Dumbo’ Soars – Review

With the vaguest of childhood memories, I walked into the live-action remake of Dumbo prepared for a tale about an odd little elephant in a sad situation. I had forgotten just how sad the story of Dumbo the flying elephant really is and Tim Burton’s CGI baby elephant pulls hard on the heartstrings.

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Teen Romance Film ‘Five Feet Apart’ is Sickly Sweet – Review

I grew up in the golden era of sick-lit films. Ansel Elgort with his constant un-smoked cigarette as a metaphor in The Fault in Our Stars (2014)? The conceived-as-a-bone-marrow-donor-for-her-terminally-ill-sister Anna and the subsequent tragic outcome in My Sister’s Keeper (2009)? Give me, give me, give me.

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‘Sometimes Always Never’ Review – Mostly Incredibly Sweet

Suppose you had the option in a game of Scrabble to play the word SACCHARINE or ANARCHIC. Saccharine, meaning excessively sweet and sentimental, and anarchic, much to do with lacking control over circumstances, are both worth more than 15 points but also summarise the range of emotions experienced by Bill Nighy and company in the 2019 British drama-comedy, Sometimes Always Never.

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‘The Sisters Brothers’ Review – Why Are So Many Horses Dying in Movies?

From recent releases such as The Rider (2017) and Thoroughbreds (2018), and even as far back as The Godfather (1972), there is an obsession in filmmaking to have horses die to serve metaphoric purposes.

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‘King of Thieves’ Review – A Comedic Caper Film Starring Michael Caine

Any film which opens with ‘Based on a true story’ incites a desire to know just how true to life the plot is. Director James Marsh attempts to keep King of Thieves as verbatim as possible and you can be assured that there is little glamorizing of this story. The crooks in this film, led by Michael Caine, are surprisingly vicious and callous with a good deal of incontinence thrown in.

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